So she tucked her new silver trophy under one arm and used the other hand to snap a selfie with those photos in the background. ![]() When Gauff walked into her news conference - phone in hand, of course - she noticed that a large screen on the back wall was rotating pictures of her from the match. 1 Aryna Sabalenka in the final at Arthur Ashe Stadium, delighting a raucous crowd that backed her from start to finish. Setting aside a so-so start Saturday, Gauff surged to a 2-6, 6-3, 6-2 victory over the soon-to-be-No. And now, at a tournament she used to visit as a kid to see her idols, Serena and Venus Williams, Gauff is a Grand Slam champion herself and a certified star. What the 19-year-old from Florida was reading, she would say later, were various comments, negative ones, “saying I wasn’t going to win today that just put the fire in me.”Īs a pro athlete from a young age, as someone of whom greatness has been expected by some and doubted by others, Gauff has always taken it all in and kept moving forward, trying to learn from each setback. ![]() Of the existing plug-ins, some–like the architecture perspective correction plug-in–are useful but not especially easy to operate.Īs you’d expect, AfterShot lets you send your photos to an external editor, but there’s no way to export a set of photos for stitching into a panorama or an HDR composite and then automatically reimport the final image.NEW YORK (AP) - Coco Gauff is still a teenager, after all, and so it should surprise no one that she was on her phone in the locker room, scrolling through social media, right up until 10 minutes before heading out on court for the U.S. It’ll take some time for this ecosystem to grow. Corel is banking on an all-new plug-in architecture, and at the moment you have only about two dozen choices online. It’s a good thing that Corel includes a few plug-ins to get you started. And in contrast to Lightroom’s somewhat anemic noise reduction, AfterShot includes a basic version of PictureCode’s Noise Ninja, which you can register to unlock advanced noise-reduction capabilities. Athentech Imaging’s Perfectly Clear is like a one-click histogram optimization tool that adjusts lighting throughout your photo without clipping or blowing out any of the extremes. Still, as nice as these controls are, you might find yourself looking jealously at the magnetic lasso and gradient filter selection tools in CyberLink’s PhotoDirector 3.Ĭorel includes a few interesting plug-ins with AfterShot Pro. In fact, you have access to all of the usual selection options, including brush size, intensity, and add/subtract blending modes. Adding multiple layers and switching among them is a snap–the program even lets you invert a layer, a common trick in full-featured photo editors, but somewhat unexpected in a more focused program like AfterShot. You can apply a wide array of changes to your photo globally, or in an adjustment layer via a host of selection tools. And whereas Lightroom’s cropping tool is a frustratingly backward experience (the mouse moves the photo rather than the crop box), AfterShot works intuitively and naturally.ĪfterShot also offers elegant layer control. The straighten tool, for example, lets you dial in the exact rotation with giant grid lines that simplify the task of making even subtle corrections. Many tools reflect a deep understanding of how photographers like to work. A half-dozen tabs divide the editing pane into manageable sections for standard editing tools, adjustments, tone, details (sharpening, noise, and lens corrections), and metadata. Lightroom is burdened by a sluggish transition between the Library’s file management and lightweight editing tools, on the one hand, and the full-powered Develop view, on the other but AfterShot puts it all out there in a single (admittedly visually intimidating) mode. ![]() It’s easier to move around AfterShot than Lightroom, too. You’ll probably want to use the AfterShot catalog, which lets you take advantage of the program’s superb search tools but if you just want to browse a batch of new photos, AfterShot lets you do that quickly and easily, saving the importing for later. Lightroom forces you to import images into its catalog before you can preview a photo, but AfterShot offers additional options. Perhaps the biggest difference between Lightroom and AfterShot is the way AfterShot catalogs your collection.
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